Pink Floyd is a legendary rock band that has developed and shifted its sound throughout its lengthy and fruitful career in the music industry. Only the name of the band and drummer Nick Mason has remained constant icons since the band’s beginning in 1968 and during its tours between 1968 and 1979.
The band’s lineup underwent numerous changes. The psychedelic character of the band’s signature sound was preserved even though the lineup of the five-member band changed several times throughout its existence.
Even though not all of their albums were commercial successes, enough of them reached number one on the charts to establish the band’s legendary position in the rock music industry. The following is a rundown of how the top 10 studio albums by Pink Floyd fared in the most recent ranking of those albums.
1. The Dark Side of the Moon
Pink Floyd’s 1973 The Dark Side of the Moon is generally considered their best album. Critics and fans alike praise this musical gem. Pink Floyd’s conceptual masterwork was at its peak. The CD includes “The Great Gig in the Sky,” “Money,” “Breathe,” “Time,” and a famous compilation without fillers.
The content was concise. The lads nailed the music, words, and cohesion in an unforgettable song. At this time in the band’s growth, they were an effective machine made of excellent musicians and lyricists with a creative spirit that took their experiments and consolidated them into an unmistakable persona and style.
Fans never confused Pink Floyd with any other band of the era. It just took a few notes to recognize a Pink Floyd song in their tone. The band’s best album, The Dark Side of the Moon, has been referenced in pop culture worldwide. Nothing beats that.
2. Wish You Were Here
In 1975, Wish You Were Here was published. What was initially thought to be one of its least promising releases turned out to be one of its best projects. Water and Gilmour at the time experienced conflict, but they maintained their professionalism and didn’t let fans down.
It was a clever move that eventually raised the bar for their space launch. This album is vast and a throwback to the good ol’ days when Waters struggled to make it work with the other band members due to the dynamic energy of Wright and Gilmour.
It trails only its predecessor, Pink Floyd’s number-one album of all time, in popularity. The fact that Wish You Were Here came after such a challenging act to follow may have been the only thing preventing it from becoming the greatest album of all time.
3. The Wall
The Wall is Pink Floyd’s third-best-ranked album of all time. It came out in 1979. It was one of the group’s best ventures to date. It is evidence of Waters’ musicianship and turned out to be the most private album of his career.
The dramatic way in which The Wall attacks societal convention and the theft of individual liberties and freedoms was favorably welcomed by listeners. With her audiences, Waters was open and reflective about the loneliness that comes with success and recognition.
Not everything in paradise. Fans were able to relate to the album’s songs in a way they hadn’t before. They become an unquestionably legendary band as a result of this album. In this rock opera, Waters was at the top of his game both lyrically and in his delivery, which helped the band soar to fame.
Animals disbanded in 1977, the same year that Pink Floyd was at the pinnacle of their success. Reflections on the political beliefs that Waters was so fond of pushing at the time can be found throughout the album, which was inspired by the well-known novel “Animal Farm” by George Orwell.
It was a serious album with a progressive trajectory that introduced a new level of respect for Pink Floyd. It was responsible for the elevation. The execution of the tunes in this project is impeccable, and the writing is nothing short of brilliant.
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5. Saucerful of Secrets
One of the top 10 albums in the band’s discography, according to Far Out Magazine, is the 1968 release. The band was still in its infancy, and its members were attempting to build their reputation. The world was prepared for the new odd rock sound since it was an injection of something different.
Interestingly, Syd Barrett’s final album was also Gilmour’s first studio release with Pink Floyd. There are several noteworthy songs on the album, such as “Set the Controls for the Heart of the Sun,” which is the best track and has some hints about the band’s future, “Jugband Blues,” which showcases some of Waters’ finest performances, and a push of the broad sound that made Pink Floyd a rock phenomenon.
New fans were given a glimpse of the group’s new identity in 1971 with the release of Meddle. Meddle is the record that made Pink Floyd known to the world at that point in their development. A few years ahead of schedule, they delivered the record after settling on a formula that worked for them.
This album has a few innovative components. With “One of These Days,” a hard rock hit with loud instrumentals, they made their first and only attempt at creating an evil sound. They balanced it with a few more upbeat songs, such as “San Tropez” and “A Pillow of Winds.”
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7. The Division Bell
In 1994, The Division Bell was released as a rebuttal to comments made by Waters earlier that Pink Floyd was a creatively exhausted force. The record was proof that the group’s remaining members were working together to produce a fluid and organized production with precise rhythms and ambient keyboards.
With passionate vocals and some of the best guitar playing to date, the band went back to its original purpose. The band members didn’t disagree with one another.
Three songs, in particular, stood out: “What Do You Want From Me,” “Marooned,” which had ethereal undertones, and “Keep Talking.” There were many good songs on the record, but not many filler ones. There was only content.
8. Atom Heart Mother
Atom Heart Mother was first made available to the public in 1970. After Barrett’s death, it had been two years since Pink Floyd had found the sound they had been looking for, and they were finally satisfied with it.
They eventually moved away from the psychedelic motifs and settled on a progressive rock concept, which was clearer and more concise.
Despite having a solid combination of orchestration, tempos, and tones with natural overtones, the progressive album did not receive as positive of a reception when it was first made available. The song “Fat Old Sun” stood out the most due to the sentimental undertones and outstanding guitar solo it had.
9. The Piper at the Gates of Dawn
In 1967, The Piper at the Gates of Dawn was released. This album, which is recognized as the ninth-best effort by Penn State Commedia, falls somewhere in the middle in terms of its level of popularity.
It provides us with a more thorough understanding of Syd Barrett’s creative process, who is credited with creating all but one of the album’s songs. It’s a sentimental album that immerses us in his reflections on youth and is partially based on his interpretation of his childhood favorite book, “The Wind in the Willows.”
The album’s three most prominent songs are still “Interstellar Overdrive,” “Astronomy Domine,” which has a 10-minute instrumental, and its concluding piece, the space rocker “Bike.”
10. The Final Cut
1983 was the year that saw the release of the final edit. The project’s original purpose was to provide music for the film “The Wall,” but as it progressed, it developed a life of its own. It included one vocal from Gilmour as well as some of the most iconic guitar works.
Without the musical accompaniments that gave the ensemble its wings, Waters grabbed center stage with his opinions on family problems and the leftovers of the debacles. Because Wright was no longer a part of the collective, this was a time of transition on top of all the others.